The UK film industry has never been healthier. According to the British Film Institute an income of £1.6bn was generated from film and television production in 2019 with Rogue One Drama series like Wolf Hall, Downton Abbey and The Crown continue to enthral viewers on both sides of the Atlantic, highlighting the wealth of acting and technical expertise for which the United Kingdom is renowned.
Generous tax breaks encourage investment into what is generally accepted as a high-risk industry. Film Tax Relief opens the door to big production companies who previously looked to foreign locations to meet their budgets.
The digital age has revolutionised both the way films are made and the demand for content. Netflix alone invested $5bn on media content in 2019, and plans to spend $12bn over the next three years. Good news indeed for the legion of screenwriters out there, hunched over keypads in dusty garret rooms, looking for a break. Competition is fierce. But the opportunities to pitch unsolicited work are considerable. From the BBC Writersroom to screenwriting contests like the Nicholl Fellowship, ¹ there are no end of resources out there, all on the look out for fresh talent.
You may, of course, wish to bypass the conventional route and make the film yourself. As an incentive to investors, HMRC offers tax relief of up to 50% under SEIS (Seed Enterprise Investment Scheme) Guidelines. Independent production companies can apply for Advanced Assurance, proving their legitimacy to third parties.
Through a chance meeting at a networking event, one such opportunity came my way. I had written a screenplay based on a real-life murder case from 1946, which had generated some interest locally in my home town of Bournemouth. A contact at the networking event introduced me to Martin Spooner, a finance facilitator who specialises in investment for film. I pitched the outline to him and, in August 2014 we agreed to meet.
Since then the project has grown in size and stature. In March 2015, we submitted a 26-page application to HMRC’s Compliance Department, and sat back to await their decision. Several weeks later, we received the good news that West Cliff Productions Ltd had been given Advanced Assurance – in other words, the green light to go out and seek investors.
From a humble writer’s point of view, all this is quite daunting. But the excitement of being involved in something as ambitious and enterprising as a film project far outweighs any reservations I might have.
And now to the screenplay …
Neville Heath was an ex-RAF pilot, hanged for murder in 1946. The case became the subject of huge media interest, with women queuing for up to 14 hours for a glimpse of the charismatic killer from the public gallery.
However, many questions remain unanswered to this day. Who was the real Heath, and what was his motivation for killing? How did he become, in the words of one biographer: “… the most dangerous criminal modern Britain has ever known”?
Such was Heath’s deadly appeal that film-making legend, Alfred Hitchcock, optioned a screenplay based on the case. Horrified at the leading character’s warped persona, studio bosses vetoed the project and the idea was abandoned. So, there you have it.
This is the film that Hitchcock never made!
Our guest writer, Adam Dickson
Adam was a student of Bill Stanton’s Writer’s Tutorial for several years, learning the craft of writing fiction. The Butterfly Collector was his first novel. Drowning by Numbers, his second was published in June 2013.
A lifetime fitness enthusiast, Adam suffered two massive brain seizures in 2003 and was left permanently disabled. In spite of this setback, he took up triathlon and began entering races, competing in Ironman UK in 2007. He co-authored Triathlon – Serious About Your Sport which was published by New Holland in May 2012.
Two more titles on swimming and cycling were published in March 2013. Adam has also written a book on mental health, Surfing the Edge – a survivor’s guide to bipolar disorder, which was published in 2015.
His screenplay, Heart of a Murderer, is based on a real-life murder case that caused a media sensation in England in 1946. Filming is scheduled in Bournemouth and London for Spring 2018.
You can discover more about the Neville Heath film here or email firstname.lastname@example.org